Animate Landscapes

Composite image of stills from Sarah Kanouse's "Grassland" (with cowboy on horseback and edge of a tombstone) and Marina Zurkow's "Hydrocarbons" (with animated oil droplets).
Composite stills from Grassland (Sarah Kanouse) and Hydrocarbons (Marina Zurkow)

The escalating climate crisis is making visible what was always true: no neat boundary exists between human and more-than-human worlds. “Nature” is a social fiction turned material fact, used to justify everything from resource extraction to wilderness preservation to racial hierarchies. The land and organisms we shape become the contours of our world. They form the basis of all sustenance, imprint themselves in our psyches, undergird the built environment, and enliven cultural narratives. This 90-minute collection of experimental media explores the bio-geo-social lives of the land and its actors, both human and more-than, through a range of experimental approaches, including meditation, animation, documentation, collage, and performance.

Core Films

The Bear in the Valley, Deke Weaver, 2019, 38:00

Grassland, Sarah Kanouse, 2019, 19:20

Rotating Short Media Selections

Dear Climate, Hello Virus, 2012, 5:46

Kelly Gallagher, Ceallaigh at Kilmainham, 2013, 7:14

Tia-Simone Gardner, There’s Something in the Water, 2019, 6:12

Julia Hechtman, Double Blind, 2017, 2:35

Heidi Kumao, Swallowed Whole, 2014, 4:06

Annapurna Kumar, Mountain Castle Mountain Flower Plastic, 2017, 3:08

Anna Luisa Petrisko, In The Tree, 2017, 3:48

Vanessa Renwick, The Mighty Tacoma, 2011, 9:11

Corinne Teed, Feral Utopias, 2015, 7:00

Marina Zurkow, Hydrocarbons, 2011, 2:32

Screening History

Nightingale Cinema, Chicago, IL – May 21, 2020

Northwest Film Center, Portland, OR – May 14, 2020

Echo Park Film Center, Los Angeles, CA – April 11, 2020

Rhizome DC, Washington, DC – October 12, 2019

Public Space One, Iowa City, IA – September 30, 2019