For nearly two hundred years, the figure of the naturalist—the enthusiastic observer of birds, soils, insects, plants, and animals—set the bar for dedicated, non-professional scholarship of the non-human world. With his sketchbook, butterfly net, binoculars, and field guides, the naturalist went “into the field” to learn nature’s secrets through patient observation. But recent scholarship in the sciences and humanities has revealed that “the field” cannot be considered apart from the human world that shapes and imagines it. Taking its cue from the study of social nature, “A Post-Naturalist Field Kit” is an art project that updates the figure of the naturalist for the exploration of post-natural urban landscapes. The project includes artifacts for exploring environmental issues in the city—from specimen jars to do-it-yourself air quality monitors and lead contamination tests— along with activity cards that refuse to draw lines between social, economic, and environmental issues. Drawing on Fluxus game kits and recent environmental art, “A Post-Naturalist Field Kit” offers tools for the embodied exploration of urban social ecologies. This article describes and contextualizes the project in light of relevant areas of creative practice and geographical thought.
Kanouse, Sarah, “A Post-Naturalist Field Kit: tools for the embodied exploration of social ecologies,” in Sébastien Cacquard, William Cartwright, and Laurene Vaughan, eds. Mapping Environmental Issues in the City (Heidelberg: Springer, 2011), 160-177.
Download PDF: A Post-Naturalist Field Kit