Over the last several years, a loose and shifting group of artists, activists, and thinkers has been exploring and creating work about the various forces, both top-down and grassroots, that shape neighborhoods, cities, and rural places in the globalized American Midwest. The Compass, as we are known, is a collective project of understanding where we are located—geographically, historically, culturally, economically, and ecologically—and of inhabiting, traversing, building and narrating what we call the Midwest Radical Culture Corridor. In this experimental, epistolary essay—part anecdote, part theory, part conversation—two Compass participants critically reflect on the group’s methods and collaborative structure. We analyze the micropolitics of our annual summer drifts and winter retreats in light of militant research, critical tourism, affective activism, and a politics of love.
Kanouse, Sarah and Heath Schultz, “Notes on Affective Practice: An Exchange,” Parallax 19:2 (2013) pp 7-20.