Monument to Cold War Victory Book Released

Sepia-toned collage art cover of the book
Monument to Cold War Victory book cover, detail

The catalogue to the competition and exhibition “Monument to Cold War Victory,” conceived by Yevgeniy Fiks and Stamatina Gregory, was released September 30 from The Cooper Union. Distributed through SPD, the catalog documents all winning entries, including the National TLC Service’s National Cold War Monuments and Environmental Heritage Trail, and features essays by Yevgeniy Fiks and Stamatina Gregory, Boris Groys, Nina Khrushcheva, and Joes Segal. Other artists include Yuri Avvakumov, Aziz + Cucher, Kim Beck, Constantin Boym, Camel Collective (Anthony Graves and Carla-Herrera Prats), Sasha Chavchavadze, Christoph Draeger, Deyson Golbert, Francis Hunger, Szabolcs KissPál, Angelo Plessas, Lisi Raskin, Dread Scott, Dolsy & Kant Smith, Société Réaliste, and Michael Wang.

Credit

Fiks, Yevgeniy and Stamatina Gregory, eds. Monument to Cold War Victory. New York: The Cooper Union, 2018: 100-103.

Facing Rocky Flats and new essay on National TLC Service

Image of art exhibition in a gallery

The National TLC Service is participating in a group exhibition about the now-closed Rocky Flats nuclear weapons facility just outside of Denver. Curated by Jeff Gipe, Facing Rocky Flats features works by local, national, and international artists and documentary photographers. The exhibition runs in the Canyon Gallery at the Boulder Public Library April 7-June 20, 2018 and travels to the Denver Public Library August 26-October 31, 2018. Jeff Gipe is preparing a book project that will also feature work from the exhibition.

Coverage of the exhibition:

Josh Schlossberg, Boulder Weekly, May 17, 2018

The Colorado Independent, August 26, 2018

Jeff Todd, CBS Local, August 27, 2018

The National TLC Service was also the subject of a published art history graduate thesis by Joseph Stussi, of the University of New Mexico. Entitled “Living with Our Toxic Legacy,” it appeared in the journal Hemispheres: Visual Cultures of the Americas, vol. 11, no. 1 (2018): 54-76.