To All To Whom These Presents Shall Come, Greetings

Composite image showing forest inset in two overlapping rectangles inside a purple-tinted antique map
Sarah Kanouse, still from “To All to Whom These Presents Shall Come, Greetings,” 2020

Property subtends the Anthropocene. Modern European property theory rests on colonization and chattel slavery—inseparable institutions that bound far-flung continents, ecologies, and people in brutally unequal relations. Property-thought and an ideology of improvement suffuse Western subjectivity. The imagined political community of liberal democracies is still marked by a tradition limiting full citizenship to property-owning, self-possessive individuals. This same ideology can be traced across such disparate phenomena as HGTV reality shows, middle-class health and wellness fads, the “stand your ground” laws that cost Trayvon Martin his life, and opposition to regulations that might stave off climate catastrophe. In the Anthropocene, what Black Panther Huey P. Newton called “survival pending revolution” demands moving beyond the stranglehold of property-thought to embody more porous and accountable ways of relating to land, people, more-than-human beings, and ourselves.

A continuation of the artist’s book, Beyond Property, this short essay film and series of ten prompts offers the audience directions to think beyond a property paradigm in relating to the more-than-human world in a moment of rapid geo-eco-social transformation. The film is based on conversations with Bill Quackenbush, Tribal Historic Preservation Officer of the Ho-Chunk Nation, and inspired by the woods and meadows of my family’s 160-acre parcel of land in Wisconsin.

Created for the HKW’s exhibition “The Current” in conjunction with the Fall 2020 seminar “The Shape of a Practice.” Additional cards created as companions to the booklets Field Guides to the Anthropocene Drift produced in 2019 by Ryan Griffis, Heather Parrish and Corinne Teed.

Download printable prompt cards (84 mb, pdf)