The anticipated formal adoption of the Anthropocene by the International Union of Geological Sciences offers an opportunity to develop forms of praxis informed by anti-racist and anti-colonial critiques of the Anthropocene and its mid-twentieth century start date. Moving beyond the impasse of the Anthropocene debates requires a broad suite of methods and voices. This short essay places Michael Egan’s concept of “survival science” in dialog with unexpected interlocutors historian Ibram X. Kendi and philosopher Alexis Shotwell to argue for explicitly anti-racist and anti-colonial praxis grounded in an ethic of humility. Reflections on a seminar organized by the authors for the recent research platform Mississippi: An Anthropocene River ground the theoretical work of Kendi and Shotwell in a concrete, if experimental attempt to work with the Anthropocene concept in anti-racist and anti-colonial ways, responsive to the specific entanglements of place.
How strange, contingent, and small one’s individual professional accomplishments feel in a world both upended and exposed by the coronavirus pandemic. I’ve refrained from posting here for more than a year, during which time I’d mourned, read, marched, listened, delivered food, worried, rejoiced, mourned, taught, and learned. Covid has only revealed new dimensions of what bell hooks famously called “white supremacist capitalist patriarchy,” which is always also ecocidal. Here are some of the modest ways my writing and artwork have sought to address this long emergency, one year into coronavirus.
I made To All To Whom These Presents Shall Come, Greetings, a new short essay film and companion set of ten cards exploring property as an Anthropocenic phenomenon for the Haus der Kulturen der Welt’s exhibition The Current. The show opened on October 26 and closed after only one week due to a second wave of German coronavirus lockdowns
Ecologies of Acknowledgment, a 2019 project with Nicholas Brown, has been exhibited at the Tufts University Art Galleries at the Medford Campus since September 2020. In October, we did a series of talks on campus, including a panel with Nia Holley and Kristen Wyman (both Nipmuc) and Faries Gray and Elizabeth Solomon (both Massachusett) challenging institutions to go beyond mere acknowledgment and into right relation with the Indigenous peoples whose lands they occupy
In December, the journal Passapartout published “Common Tensions,” an epistolary essay written with Nicholas Brown reflecting on our efforts to “common” our relationship to his family’s land in Wisconsin’s Driftless Area
I’m currently working on another collaboration with Elizabeth Solomon and Nicholas Brown, a sound piece lifting up Massachusett Indigenous perspectives for the 2021 auditory public art installation, Sound on Mystic. Nick and I also have a forthcoming essay on anti-racism in the Anthropocene in Anthropocene Review. Image on this post is from a short video essay I’ve been working on, tentatively entitled Coronaura, that reckons with white femininity in a year of violence both fast and slow.
The effects of the Anthropocene are not experienced evenly, and some are hit far harder than others. The seminar Over the Levee, Under the Plow took as its starting point one of these spaces: Blackhawk Park, a “wounded place” where the colonial ties of the Anthropocene become painfully palpable. While histories on settler colonization all too often treat it as a thing of the past, this essay, co-written with Ryan Griffis and Nicholas Brown, revises our opening statement from the seminar asking participants to consider their/our own implication in the settler colonial dimensions of the climate crisis.