Grassland

The collaged image of a monument to the Sand Creek Massacre is defaced with an oil-like substance and rises over a cutout from a Frederick Remington painting over a fracking pad in the background.

Description

The experimental nonfiction film Grassland uses stop-motion animation, live action footage, text fragments, and expressive sound to excavate the stratigraphic layers of belief, ecology, practice, and geology that form a northeastern Colorado landscape. Carved out of decimated ranch lands during the Dust Bowl, the grassland is both a conservation zone and a working landscape. Cattle grazing, nuclear missiles, hydraulic fracturing, and wind power generation co-exist within a few miles of each other. Less explication than essay, the film locates the grassland in historic and geologic time, ranging over changing frameworks of law, ideology, and cosmology, variable and contradictory human practices, and the material and geological forces of the land itself. Meditative original footage of the grassland merges with collage animations created from diagrams, drawings, and found photography to portray the refuge’s subterranean activities, from well drilling to missile storage to soil sedimentation. The resulting nineteen-minute film is a poetic and unsettling portrait of a complex, evolving place.

Excerpt

Credit

Sarah Kanouse, “Grassland,” experimental nonfiction film, HD video, 19 minutes 15 second, 2019.

Sound design by Jacob Ross